Each year brings another handful of Christmas albums and singles. . . .
Tag Archives: Indie Rock
Five-piece psychedelic band Rujen cut its teeth by playing around . . .
Apollo, God of sun and song, shines brighter than ever, . . .
Brazen indie troupe Modern Vices gives us another take from . . .
When we last heard from Comet Gain, the long-running London . . .
Deceiver, the third album from Brooklyn-born/now LA-based post-punk/shoegaze quartet DIIV . . .
On November 8, long-running Athens indie rockers Je Suis France . . .
Savannah’s Graveface Records caught the Halloween spirit, as usual, and . . .
Atlanta-based band Victory Hands dabble in the angular rhythms and . . .
For their third album, Brooklyn-based The Bright Smoke are unabashedly . . .
Among our favorite Atlanta music makers since their 2013 formation, . . .
Who remembers The Orwells? You know, the Chicago DIY framers . . .
Sometimes you just have to wonder what keeps Shannon Wright . . .
There’s a lot to be said for consistency in rock . . .
“Everything is alright now now!” And with that scream Dressy . . .
Ten years ago, seemingly everyone interested or involved in the . . .
Athens’ Nocturnal Blonde serves as producer, songwriter, singer and instrumentalist . . .
Bleached, the creative outlet of guitar-slinging sisters Jennifer and Jessica . . .
Neither of Willie Nelson’s musical sons rest on their surname’s . . .
Few bands from anywhere have adjusted to lineup changes and . . .
In an intriguing and potentially glorious pairing, Sleater-Kinney enlisted St. . . .
Bassist Eva Chambers (daughter of Justin Chambers from Grey’s Anatomy) . . .
The title of Mattiel’s second full-length album, Satis Factory, is . . .
Bad Books, an indie-folk ensemble featuring Manchester Orchestra’s Andy Hull . . .
The cover to All the Saints’ third album depicts a . . .
Praise Given: Parallel Releases Reveal the Persevering Potency of Luxury . . .
Jordan Reynolds, AKA Rose Hotel, went for a fuller sound . . .
Los Angeles rock band Silversun Pickups have been averaging about . . .
