Idaho – People Like Us Didn’t Stop

Like many other insipid genre descriptors ending in “-core” that ran rampant in the ’90s, “slowcore” and “sadcore” personified the gloomy side of the early part of the decade via Low, Red House Painters and Codeine. Theirs was the music dimly lit environs were made for: guitars heavy with distortion; confessionalistic, often dour lyrical themes… Continue reading Idaho – People Like Us Didn’t Stop