The history of horrible album covers has occasionally provoked some . . .
All posts by J.R. Taylor
The first minutes of Irresistible tell us the setting is “Rural America,” . . .
COVID-19 claims its first major cinematic casualty with The Vast of . . .
Despite an acclaimed debut at Sundance last year, Selah and the . . .
It might take a while to realize that Never Rarely Sometimes . . .
“In early 1980,” says the opening card to Cannibal Apocalypse Redux, . . .
This is the kind of oddity – deceptive title and . . .
The simmering resentment of keyboard warriors has become office warfare . . .
The writing and directing team behind 2014’s Goodnight Mommy step up to . . .
There’s a long history of important songs being tucked away . . .
The trailer for The Assistant is a triumph in marketing. Julia Garner . . .
Every frame’s a painting in Portrait of a Lady on Fire – . . .
No movie was more unjustly ignored by the Oscars this . . .
