Tag Archives: Post-Punk
By gum, we’ve got ourselves a scene. Sure, it’s been . . .
Steered by Linda Hopper and Lynda Stipe, Oh-OK’s simple swirl . . .
Soon after guitarist Andy Gill’s unexpected early February passing (of . . .
I think there’s a neighborhood or damp-in-the-night cobble street in . . .
Richard Hell & the Voidoids’ second and final album, Destiny . . .
Scene Construction: Pylon Shines a Light on Morning Munchies, Exercising . . .
British indie label Cherry Red has been steadily releasing generously . . .
Recorded at Nickel and Dime Studios, and released in the . . .
The Psychedelic Furs are what you might call a “legacy” . . .
Originally out in 1984, Savannah’s ace indie Graveface Records will . . .
We’ve been aware for a while now that a Pylon . . .
If you’re going to launch a musical project that evokes . . .
Power, Corruption and Lies, the second full-length album from New . . .
Despite the handicap of having one of the worst names . . .
Thoughtful as ever, Athens foursome Vincas went and blurted out . . .
Guitarist/vocalist Laura Pleasants’ post-Kylesa concern The Discussion is out with . . .
Many in Athens remember Vision Video as a small local . . .
Originally intended for release on Record Store Day, now that . . .
Who would’ve realistically expected the Psychedelic Furs to serve up . . .
The Strokes don’t wanna be your hero. They’re too nice . . .
Sweden’s Viagra Boys are an undeniably cool outfit that float . . .
Two of Iggy Pop’s earliest, best and most enduring solo . . .
While Uncle Green still occasionally reassemble to excavate their power . . .
Arbor Labor Union coughed up a couple of (quite good) . . .
