The Woggles played selected dates last year alternating Graham Day . . .
Tag Archives: Atlanta
Neotraditionalist honky-tonk acts often emphasize humor and lowbrow lyrical themes . . .
Mattiel pulls the trigger on a fresh Double Cover 7-inch . . .
The Georgia Flood were a blues-rock band that played around . . .
He’d not been an active participant in the local Atlanta . . .
Emo is easily one of the most annoying possible mutations . . .
It’s a mixed up muddled up shook up world. Down . . .
An internal communications strategist by day, Atlanta singer-songwriter Steve Baskin . . .
The Ladies Of… could’ve named themselves Alabama Georgia Line, but . . .
Atlanta musician Mathis Hunter, alumnus of local groups Noot d’Noot . . .
Tots today are totally missing out on the whole Saturday . . .
Little Richard’s impact on rock ‘n’ roll music cannot be . . .
From the looks of their latest promotional photo, I figured . . .
The Beauty in the Dirt: Nikki & the Phantom Callers . . .
Hamilton Bohannon, the influential Newnan, Georgia-born funk/disco singer, drummer, bandleader . . .
Blackberry Smoke have comfortably become the quintessential modern-day Southern Rock . . .
Misanthropic Aggression is an apt description for nearly all I . . .
It’s more than a control thing. Jarboe writes the music, . . .
Rescheduled from May 1, roots-rock duo Larkin Poe have now . . .
Taking into consideration the geographic and demographic makeup of Georgia, . . .
In its germinating stages, CeeLo Green’s forthcoming album wasn’t originally . . .
Weirdly enough, the day after having a discussion with a . . .
Mother’s Finest have made a now-50-year career out of marrying . . .
Atlanta-based singer-songwriter Mike Mattison (Scrapomatic, the Derek Trucks Band, Tedeschi . . .
It’s gonna be a lot quieter around here for a . . .
Pop-punk isn’t cool anymore. And there’s certainly not a huge . . .
While Uncle Green still occasionally reassemble to excavate their power . . .
Nashville-via-Atlanta singer-songwriter Kristen Englenz’s new album Ingénue features more than . . .
