Expectations soared for Lillie Mae’s second Third Man Records full-length, Other . . .
All posts by Bobby Moore
New Thrill Jockey recording artist Sequoyah Murray is a musical . . .
Warm Red isn’t the name of a soda that’s unavailable . . .
The delicate dance tunes and dreamy electronic pop experiments on . . .
Gregg Allman’s 1973 solo album Laid Back followed some extreme ups and . . .
Ten years ago, seemingly everyone interested or involved in the . . .
Athens’ Nocturnal Blonde serves as producer, songwriter, singer and instrumentalist . . .
Bleached, the creative outlet of guitar-slinging sisters Jennifer and Jessica . . .
Athens’ Elephant 6 Recording Company opens the vaults on Aug. . . .
Atlanta-based electro-pop trio Reptile Room’s debut album, Jade, arrives Aug. . . .
Atlanta-based A Rippin’ Production spent over four years putting on . . .
The California honky-tonk hotbed of Bakersfield represents more than just . . .
Seven-piece Athens band Georgia Dish Boys bathe their mutant punk . . .
Neither of Willie Nelson’s musical sons rest on their surname’s . . .
Atlanta singer, songwriter and musician Stacey Cargal (frontman for Blackfox, . . .
Overlapping ironies inform the riffs and rage of LA and . . .
Few bands from anywhere have adjusted to lineup changes and . . .
Changing Perceptions: Six Weeks Before Woodstock, the First Atlanta International . . .
Things got better once Artigue and friends arrived at the . . .
One of the better new albums in way too few . . .
Glen Campbell’s 2003 box set The Legacy: 1961-2002 no longer tells a . . .
Bad Books, an indie-folk ensemble featuring Manchester Orchestra’s Andy Hull . . .
On June 14, Atlanta’s Boris Records and Athens-based Unspeakable Axe . . .
BMG’s complete, 49-track collection from Hank Williams’ short-lived yet still . . .
European metal-loving, The Legend of Zelda: Link’s Awakening-playing four-piece Paladin dispense . . .
Part-time New Yorker, occasional Atlantan, and full-time creative force Sara . . .
The B-52s’ commercial breakthrough Cosmic Thing gets a belated birthday . . .
